Waldemar Raźniak
Il trionfo del tempo e del disinganno — the company before a backdrop of baroque portraits

All productions

Il trionfo del Tempo e del Disinganno

Georg Friedrich Händel · libretto by Benedetto Pamphili

Handel's first oratorio given a staged realisation for the Polish Royal Opera, with the period-instrument Capella Regia Polona and a cast of twelve — a contemporary frame rather than an illusionistic reconstruction. Taken to the 32nd Bydgoszcz Opera Festival as a guest production in 2026.

About the production

Handel wrote his first oratorio in Rome in 1707, to a libretto by Cardinal Benedetto Pamphili: an allegory in which Beauty is argued over by Pleasure, Time and Disillusion. Raźniak stages it rather than presenting it in concert, and places the argument in the convention of a photographic studio.

Announcing the premiere he spoke of giving up illusionistic reconstruction in favour of a dialogue with history. Krzysztof Garstka conducts Capella Regia Polona on period instruments; the production was invited to the 32nd Bydgoszcz Opera Festival in the following season.

Premiere
4 April 2025
Venue
Polish Royal Opera, Warsaw
Guest performance
30 April 2026, 32nd Bydgoszcz Opera Festival

Creative team

Music direction
Krzysztof Garstka
Set & costumes
Barbara Guzik
Light
Ada Bystrzycka
Video
Wojtek Kapela
Ensemble
Capella Regia Polona
Cast
Iwona Lubowicz, Aneta Łukaszewicz, Anna Radziejewska, Sylwester Smulczyński, Julia Pliś, Justyna Rapacz, Jakub Foltak, Aleksander Rewiński, Patrycja Grzywińska, Joanna Lichorowicz-Greś, Vova Makovskyi, Wojciech Wereśniak
Theatre page ↗

Photographs · Karpati & Zarewicz

Gallery

Il trionfo del Tempo e del Disinganno — production photograph
Karpati & Zarewicz
Il trionfo del Tempo e del Disinganno — production photograph
Karpati & Zarewicz
Il trionfo del Tempo e del Disinganno — production photograph
Karpati & Zarewicz
Il trionfo del Tempo e del Disinganno — production photograph
Karpati & Zarewicz

Critical reception

Press

„…everything in the performance cohered into an exposition of its main themes: the loss of control and the blurring of truth.”

Jan Topolski on The Bunker. Fake Opera · Glissando, October 2021Read the review ↗